Dream
Echoes (disc one) |
Don't Touch Me, I'm Electric
by Jrott
 (2:34)from: Bill Nelson's Red Noise -
"Sound On Sound" LP (1979)
Greg Bauer - Charvel Bass
John Kirry - Gibson Melody Maker, Vocals
Anthony La Torre - Alesis D4 Drum programming, song production
Our Secret Studio:
Macintosh G3/266, Logic Audio software & 2AudioWorks soundcards, Tascam M-2524 Board,
Sony DAT DTC690,Yamaha SPX-90 |
Crystal Escalator In The Palace Of
God Department Store by William Bowden
(4:31)from: Bill Nelson - "The Love
That Whirls" LP (1982)
William Bowden - Vantage Fretless bass, E-bow, Ensoniq ASR10 sampling keyboard,
Kurzweil K2000R synth module, Mystery Microphone, Vocals
Tony Nesbitt - some guitar work
My Secret Studio: House Atreides
Sony ICD 7600 DS Shortwave Radio, Mackie 1202 Mixer, Mac 1400C using Cubase sequencer |
A Private View by Walter
Peretiatko
(4:58)from: Bill Nelson - "The Love
That Whirls" LP (1982)
Walter Peretitko - Gibson Les Paul Custom, E-bow, Zoom 9500 Processor, Korg X3R
sequencer
Tom Cardiff - Fender Precision bass
Tom (Romeo Blanco) Davis - Vocals
Our Secret Studio: Empyrean Studios
Tascam 244 cassette four-track, Sony analog cassette deck |
The Beat that Can't Go Wrong Today
by Eric Tilley
(3:18)from: Bill Nelson - "The
Two-Fold Aspect of Everything" LP (1984)
Eric Tilley - Blond Electra "ES-335"*, Washburn Prairie Song Custom acoustic,
Roland 626 drum machine, Fender Precision bass, Korg DW-8000 synth, Yamaha TG-88 tone
generator, Vocals * Guitar autographed with original artwork by Bill Nelson
My Secret Studio: The Wakefield Observatory
Digitech Valve FX guitar processor, Quadraverb reverb processor, Tascam 424 four-track
cassette recorder, Mackie 1202, VLX mixer, Sony cassette mix-down deck |
Every Moment Infinite by Watch This Space (4:01)
from: Bill Nelson - "Practically
Wired" LP (1995)
Graham Hibbit - Roland Octapad, Roland SC-1 Mackie 1202, Alesis 3630 compression, Boss
volume pedal
John G. Clary - Tom Anderson Guitar, Marshall JMP1 Pre-amp, Palmer speaker simulator, MXR
Dyna-comp, Fender Superchamp
Our Secret Studio: Second Sight
Pentium 233 with Cubasis, Cool Edit Pro, Roland, a Montego Soundcard, Yamaha and Alesis
Sound Modules, Digitech TSR12 multi-effects |
Aeroplane Wings by Kowtow Popoff
(3:49)from: Bill Nelson -
"Demonstrations of Affection" boxed set (1990)
Kowtow Popof - Korg O5R, Tone Generator, Ensoniq Mirage keyboard, Boss DR-660 drum
machine, Takamine electro-acoustic guitar
Rob Santos - Fender Stratocaster
Smokey the Dog - Upstairs footsteps
Our Secret Studio: The Fleapit
ADAT XT, Tascam 1600 mixer, Tascam DAT, Alesis Quadraverb, Behringer Composer, dbx
silencer & dbx stereo compression, BBE Sonic Maximizer |
Axe Victim by Baby Strange
(4:56)from: Be Bop Deluxe - "Axe
Victim" LP (1974)
Keith Blueman - guitar, vocals |
(my) Contemplation by
Stewart Grey
(5:22)from: Bill Nelson - "Getting
The Holy Ghost Across" LP (1986)
Stewart Grey - Guitars, vocals, production
Peter Varkala - Keyboards, Programming, Mixing |
Empire of the Senses by
David Bowden (5:38)
from Bill Nelson - "The Love That
Whirls" LP (1982)
David Bowden - Fender Bullet guitar, Shure BG-5.0 microphone, vocals, Roland JV1080
synthesizer
My Secret Studio: Magnetised by Mirrors
Ensoniq EPS sampler, Tascam 48-8 multitrack, Philip Rees TS1 sync unit, Atari ST2 and
cubase sequencer, Yamaha Pro 1 mixer, Boss SE70 multi fx, Ibanez UE405 multi fx |
Down on Terminal Street by
Jaime Willard (4:37)
from: Be Bop Deluxe - "Modern
Music" LP (1976)
Jaime Willard - Guitars, vocals
John Holmes - Drums |
Dangerous Stranger by Bill
Kurn (3:15)
from: Be Bop Deluxe - "Drastic
Plastic" LP (1978)
Bill Kurn - Guitar, vocals, Shure SM-57 microphone
My Secret Studio: Art Extreme
Boss DR-5, Peavey 701-R mixer, dbs 255A Digital compressor, CTX133 Cakewalk 8-track with a
Gina audio card |
Everyday Feels Like Another New
Drug by Jim Dennis (4:35)
from: Bill Nelson - "Chimera" EP
(1983)
Jim Dennis - Fender Stratocaster, Precision bass, Alexis Quadraverb and 3060 processor,
E-bow, vocals
My Secret Studio: Next to the Catbox
Mackie 8 buss mixer, Sequential Prophet 600, Roland U-220, Macintosh clone with Digital
Performer |
|
Spangled
Moments (disc two) |
Furniture Music by Saffron
Matted Voids (3:45)
from: Bill Nelson's Red Noise - "Sound
On Sound" LP (1979)
Oh Hyun-Ki - Guitar solo, rain, vocals
Ken Mistove - all other instruments/sounds
Our Secret Studio: Digital |
Wildest Dreams by Michael
Grime (3:41)
from: Bill Nelson - "Getting The Holy
Ghost Across" LP (1986)
Michael Grime - Gretsch Country Club, Patrick Eggle Berlin Pro, Gibson Flying V,
Ovation Celebrity Electro-Acoustic, Yamaha RX-5 drum machine, Fender Mustang short-scale
bass
My Secret Studio:
ART SGE Mach 11, Roland VS880 8-track digital workstation, Tascam DA-20 DAT recorder, TEAC
V-377 tape deck |
Portrait of Emiko with Moon and
Stars by Dave
Stafford (4:25)
from: Bill Nelson - "The Love That
Whirls" LP (1982)
Dave Stafford - e-bow guitars, loops, and ambience
zak - piano
Our Secret Studio: Studio Seventeen Productions
World's cheapest DAW, Cool Edit Pro |
Night Creatures by Chuck
Potocki (3:22)
from: Be Bop Deluxe, "Axe Victim"
LP (1974)
Chuck Potocki - JB Player 12-string acoustic, Fender Stratocaster, Vocals
My Secret Studio: My Living Room
Peavey Amp |
Living in Your Music World
by Mark Sotelo (3:06)
from: Bill Nelson - "Quit Dreaming And
Get On The Beam" LP (1981)
Mark Sotelo - Keyboards, vocals, programming
My Secret Studio: A mystery... |
Lovers are Mortal by Derek
Williamson (5:25)
from: Be Bop Deluxe - "The Best Of And
The Rest Of Be Bop Deluxe" LP (1979)
Derek Williamson - Yamaha classical guitar, Korg X3R Sequencer for keyboards, vocals
Walter Peretiatko - Fender Stratocaster, Precision Bass, Korg X3R Sequencer for additional
keyboards
Our Secret Studio: Empyrean Studios
Tascam 244 cassette four-track, Sony analog cassette deck |
Maid in Heaven by Gustavo
Vazquez and the Boyz From Brazil (2:27)
from: Be Bop Deluxe - "Futurama"
LP (1975)
Alceu B. Junior - Guitars, vocals
Gustavo Vazquez - Bass, vocals
Edmilson Cionek - Drums, vocals
Our Secret Studio:
Originally we recorded this as an instrumental. We didn't find a singer, so we invited
some friends to 'scream'. |
Life in Your Hands by
Council House Mystics (4:56)
from: Bill Nelson - "The Strangest
Things, The Strangest Times" compilation LP (1989)
C. Dorian Paul - Vocals
Michael Grime - Gretsch Country Club, Patrick Eggle Berlin Pro, Gibson Flying V, Ovation
Celebrity Electro-Acoustic, Yamaha RX-5 drum machine, Fender Mustang short-scale bass
Our Secret Studio: The International Experience
ART SGE Mach 11, Roland VS880 8-track digital workstation, Zoom 9150 effects rack, Tascam
DA-20 DAT recorder, TEAC V-377 tape deck, Plutone Recording Studio |
Rooms with Brittle Views
by W.A. Gowan
(4:34)from: Bill Nelson - "The
Two-Fold Aspect Of Everything" LP (1984)
Bill Gowan - Computer, vocals
no instruments were harmed in the creation of this piece!
My Secret Studio: MusicShop (Opcode Systems)
Yamaha PSR-530 synthesizer, DigiTrax mixing software, Motorola Starmax 3000/180 |
Skull Baby Cluster by Pete Gifford
(3:03)
from: Bill Nelson - "After The
Satellite Sings" LP (1996)
Pete Gifford - Yamaha RX15 drum machine, Yamaha PSR4600 keyboard, Fender Precision
bass, Fender Stratocaster, Fender Concord acoustic
My Secret Studio:
Fostex D80, Soundtracs 16-channel desk, Soundforge editing software |
Sweet Is The Mystery by
Kevin Rowan (3:58)
from: Bill Nelson - "My Secret
Studio" boxed set, "Electricity Made Us Angels" LP (1995)
Kevin Rowan - Profile Electric, Takamine Acoustic, Drums, Organ, vocals
My Secret Studio:
Korg X3 Sequencer, Zoom effects pedal, Peavey Mixer, Fostex X15 4-track |
Dream Ships Set Sail by
Magus (3:58)
from: Bill Nelson - "Blue Moons And
Laughing Guitars" LP (1992)
Andrew Robinson - Mexican Fender Strat, Takamine electrified classical guitar, Oberheim
Matrix & keyboard, Peavey microphone, vocals
Tim Lundberg - Gibson Les Paul, Roland R-8 drum machine
Our Secret Studio:
Yamaha QX21 sequencer (2), Yamaha MD8 8-track mini-disc recorder, Sony mini-disc player,
ART proverb, Digitech S100, Behringer board & compressor/limiter, Alesis RA100 power
amp, Alesis Point 7 monitors, Boss multi-effect floor unit |
The Glory Days by Eric
Wenner (4:50)
from: Bill Nelson - "Blue Moons And
Laughing Guitars" LP
Eric Wenner - ES-335 Epiphone Dot, Alvarez Acoustic, Ibanez LP Custom (Les Paul style),
vocal pipes
Chuck Bird - white sounds and red noise
My Secret Studio: Phantom Phone Booth Studio
8-track digital recorder, Korg Guitar, Effects Pedal Board, Alesis SR-16 Rhythm machine,
Roland VS-840, Sony and Audio Technica DR-2000 microphones, Bellari Preamp |
Blazing Apostles by Andy Turits (4:19)
from: Be Bop Deluxe - "Sunburst
Finish" LP (1976)
Andy Turits - Vocals, Rickenbacker 360 12-string, (Blue) Epiphone Les Paul Standard,
Kurzweil K2000 sampling keyboard, Shure M57 and Electrovoice N/D257B microphones
My Secret Studio: Planet Andy
ART-FXR Digital Multi-Effects, ART-CS2 Compressor/Limiter, MXR-Distortion, DOD-FX65 Stereo
Chorus, e-bow, Logic Audio for Mac Midi mixing, Digidesign Protocols, Tangent 802A, Tascam
DA-20 DAT |
|
