www.billnelson.com

This is truly stunning. If anyone has even just a passing interest in the man, buy this. Much of this has been available from dubious sources for years but, and it's a BIG but, not in this quality. The solo New York sessions sound like the guy is in your living room playing it "just for you"
An outstanding release (even though it has been pushed out to protect copyright)

I have lived with the original "Blood On tracks" since 1976 and guess I know every note, lyric and vocal nuance but these 6 discs deliver a wonderful new light on a MUCH loved album. Sheer joy

First and foremost, this is a death metal record. At least, it is in spirit, but it is also a rock record, and also a heavy metal record. There is a playfulness to …And As We Have Seen The Storm, We Have Embraced The Eye which belies its intensity — a bluesy facade for a greater and more ferocious being. The six tracks which comprise the album’s 47 minutes straddle this dualism in a way which is, dare I say, fun. Something which truly rocks, and in a different way than one might associate with Corpsegrinder-style windmilling.

This is an album of heroics: guitar heroism, songwriting heroism, and energetic heroism. It is over the top and self-indulgent, a classicism which could be ascribed to both classic rock and death metal. Each member does more than their share to make the music memorable, strutting in what could only be imagined as leather-clad metal champions, lording themselves over their musical kingdom.

Combining elements of industrial, techno and early goth, Oakland's Luis Vasquez, a.k.a. the Soft Moon, built a collection of catchy, eldritch tracks that fester anxiously just beneath the surface before bursting out periodically into unapologetically creepy dance music. The hypnotic web of layered synth tones and mechanical samples is a little scary on the surface, but don't be fooled: It's a party front to back. K.C.